Saturday

It Never Ends: A Memoir With Nice Memories

Title: It Never Ends: A Memoir With Nice Memories! 
Who's it for?: Best Show fans, Friends of Tom, music geeks, creative underdogs, people who live with depression, New Jersey scene kids of the 80s and 90s, arcade addicts of the 70s
Who made it?: Tom Scharpling
Where is it?: Amazon!
Length: 279 pgs

Radio comic and television writer Tom Scharpling embodies the spirit of New Jersey as he recovers from depression while learning to write for television in tandem with his weekly comedy improv platform show in his comedic memoir.


Tom Scharpling grew up in New Jersey with a family of independent entrepreneurs and access to the New York music scene in the late 1970s through early 90s.  His childhood includes great adventures like setting high scores at pinball, a family court battle against arcade bullies, watching a classmate attempt to score a switchblade in Times Square while going to see Billy Joel in 1983 and even auditioning for The New Monkees! He also worried intensely about his mother’s health and nearly succumbed to depression at the end of high school.  Luckily his life didn’t end there, and he eventually channeled his music obsessions into radio comedy on his weekly platform program, The Best Show on WFMU.  A passion for prank phone calls and rock and roll both indie and hard led to a life changing relationship with punk band Superchunk’s drummer John Wurster and some lively improvised radio comedy like the legendary Rock, Rot, and Rule call about a fake book designed to be the “ultimate argument settler” for music fans.  There’s a lot of heart in his statements about creating and his commitment to trusting his creative instincts in the face of an audience that doesn’t initially understand what he’s trying to do.  At the same time as the platform show, he learned to write humorous content for both The Onion and the entire run of USA’s hit detective show Monk.  There are life lessons on the ethical approach to meeting heroes from encounters with celebrities like Patti Smith, Mickey Dolenz, Adam Sandler, and Dwayne “The Rock” Johnson; some professional weirdness with Papa Roach; and some truly great music videos directed for Yo La Tengo and Aimee Mann by Scharpling himself.  His personal growth feels like an uphill struggle through family illness, fear of mental healthcare and its effects on memory recall, and a codependent fixer mentality. In places there are breaks for garbage food and addiction to gaming machines with even an obsessive knowledge of how to feel broken pinball bumpers and dislodge stuck character cards from a coin pusher game. There’s a horrible car crash on the eve of a horrible president.  Above all, there is Jersey pride throughout in a music trivia genius who always cheers the little guy and overcomes personal tragedy to summon the courage to make his next show a great party for his culture-savvy listeners. 


A lively recharge to affirm sense of purpose for underdogs everywhere.

Wednesday

Naturally Tan (Memoir by Queer Eye's Stylist)

Title Naturally Tan
Who's it for?: Casual fans of Queer Eye, People who nothing about Pakistan or fashion business
Who made it?: Tan France with Caroline Donofrio
Where is it?: Amazon
Length: 304 pgs

The charismatic fashion stylist from the Emmy winning show Queer Eye expounds upon his rise to fame with much heart, words of wisdom, and fashion savvy jois de vivre.

Naturally, Tan France’s memoir includes both mention of Tan’s family background and of fashion retail and styling education. Tan’s grandfather ran a denim factory that inspired Tan’s expertise in clothing construction. Encounters with racism while absorbing colourism in Doncaster, England and Tan’s identity as Pakistani-British and also homosexual led Tan to intern in Utah in the United States where Tan eventually became engaged to Rob France whose art is present throughout this engaging memoir. Their dating stories are sweet and they have a sensible marriage that no doubt keeps a stable home foundation of supporting each other's goals despite the mental health attacks that come naturally with a dual career in fashion and the entertainment industry. Rob always talks Tan down from emotional ledges and is an equal hero in this book beyond their engagement story which proved useful for applying to a reality show.  Being cast as a stylist for reality show Queer Eye is also included, with resulting travel and award show elation when the team won an Emmy. There are fashion do’s and don’ts that transcend shallow fashion magazine articles when combined with dating stories and the design philosophy of blending Mormon and Muslim modesty with British style in designs for Kingdom State and Rachel Parcell. For readers who are not business-oriented, there is a genuinely nice overview to starting Kingdom State and some nice advice on taking interviews and how personal finance changes when one becomes a public figure. More unique to Tan's less common perspective are stories about an early smartphone enabling dating, sweatpants losing an important relationship due to letting self care go, crushes on male Bollywood stars in conflict with family assumptions, and special shoes that went missing after taking a solo trip abroad without telling family members about the risk that travel routinely is to personal safety. Other wild adventures include a past job as an airline steward, quitting a job for LGBTQ Pride, and dressing as Britney Spears for television changing Tan's mind about drag and accepting innate femininity despite a more gendered cultural outlook conditioned in childhood. Most important and poignant is Tan's September 11th, 2001 essay about irrational stereotyping and racist treatment of Muslim and Sikh Americans following the World Trade Center bombing, and it's sort of a pity the happy ending and ongoing story of Tan's USA citizenship happened the year after this memoir's publication since everyone really should know that the United States still accepts new citizens even in the Trump era after nearly a decade of harassment in airport security exacerbating lazy thinking about the general public's unchecked racial bias and fear.

There are many laughs mixed with calls for empathy in this memoir which contains far deeper, more substantial content than you would expect from a reality television star, let alone most people in fashion.


Sidebar-- it's nice that Tan's humorous cowriter is credited on the book and not a ghostwriter.

Sunday

Title:  Chunks
Who's it for?:
 Comedy fans
Who made it?: J. Elvis Weinstein
Where is it?: 800 lb Gorilla Records, Amazon
Length: 46 minutes

A pre-emptive note ahead of my review: J. Elvis Weinstein pronounces his name to rhyme with Albert Einstein and he added the Elvis because he likes Elvis Costello and so his initials would become the acronym JEW.  He had to do this because there was already a Josh Weinstein when he joined the Writers Guild, and neither he nor the Simpsons writer have any connection to Harvey Weinstein who pronounces his name with "steen" as differentiated from "stine" at the end.  Don't confuse him for that predator guy because both Josh's are gentlemen and professionals I presume seeing as they stay out of news about social machines that hurt women. 

When I first met J. Elvis Weinstein I asked him if he had a standup album because I wanted to know who he was individually among the Mystery Science Theater 3000 writers who had regrouped into Cinematic Titanic at live shows where I could meet them.  He didn't, but he'd been writing and performing standup at Acme Comedy Club in Minnesota for nearly his whole life.  Didn't he think it would be a good idea to archive something so important and key to his existence? He told me he hadn't really thought about it much but supposed he might get around to it eventually. Ten years later his first album shows me I was right about him and there are great mental depths to be discovered that just weren't convenient for a lot of people until now.

Chunks is J. Elvis Weinstein's first comedy album, but it's not a beginner effort at all.  I had been excited about him as an individual comedian because I could tell from his blogs on the now defunct Cinematic Titanic website that he is possibly the tightest joke writer on that team. He improvised effectively in the KTMA episodes of Mystery Science Theater, and his Twitter jokes are well structured, and there are many fun surprises in the order of ideas to be presented found in Chunks. For example, he writes a great sexual harrassment joke wherein he is both the perpetrator and the victim because he is talking to himself about being his own boss, thereby taking the reactionary gendered witch hunt out of the debate leaving only the situation to be avoided by everyone.  He is a master of assessing and then manipulating perspectives.   I can only conclude that he had a long queue of other projects as a producer as on Freaks and Geeks, America's Funniest Home Videos, and the Greg Kinnear show, and enough gigs doing standup and playing live music, that he actually had a huge time buffer before he could get around to this album.

Chunks is a time capsule of Mr. Weinstein's finest standup.  He discusses his mixed faith marriage and interprets Judaism in comparison to Christianity in a way I don't hear from random sampling of Jewish standup comedy but do hear regularly from him with Andy Kindler on Thought Spiral.  Unlike a lot of Jewish comics, they don't hyperbolize escaping from Judaism like many standups do as they escape parental control and childhood.  They like Judaism at least in part, and they make it sort of inviting and show that they get comfort from it as a family foundation.  Even while Josh says he doesn't get the symbolism of either Easter or Passover and that Christianity has more miracles than Judaism, I remember on Thought Spiral that he memorized the Ten Commandments movie during Passover and I think he actually likes it whether ironically or seriously because he returns to it almost as much as to The Boys From Brazil and Dr. Josef Mengele's scientific experiment war crimes which are less endearing and not in this routine.  And his slight chagrin at Christian miracles is a softer critique than, say, Sarah Silverman's Jesus is Magic routine.

Edgier chunks contain Josh's many times serving jury duty, which he says he gets because he must have "resting justice face."  He compares jury duty in Los Angeles to community theater-- "You watch a bad play, and if you don't like it you send somebody to jail."  If the Explicit tag on the album isn't enough for you, I will give a trigger warning for you that there are many descriptions of violence from both humans and animals.  Josh describes in graphic detail the most violent court cases he was in the jury for or read in the headlines.  He was also in at least one fight in his life that he was called to and stayed in somehow. He prefers animal violence to the true crime stories his wife enjoys.  I think his overall perspective is a healthy one that surveys other people's violent moments as theater with consequences that can easily be avoided. He doesn't focus on the rush of being in a fight so much as the character analysis of everyone involved, and his low energy deadpan delivery leads me to believe that he holds skepticism about fighting and talks himself out of it.


MST3K and Cinematic Titanic fans should note that none of his music jokes, the earworm medley pop hits radio station break, or his Steve Perry impersonation from the Cinematic Titanic shows made it on to the album.  He didn't play bass or keyboard either, though his music is regularly on Thought Spiral with songs also from his wife Allison MacLeod and cohost/comedian Andy Kindler.  This album is a self introduction to people who have managed to not know who Josh is for this long, and briefly mentions he has a lead role in a movie also just now because even after suggesting the people calling might want an actor and not a standup comedian/producer, the people calling demanded it because the role is one he is perfect for and he is too good to ignore for The Fiddling Horse.
  
He hasn't been Tom Servo since he was a college student, but his wry delivery doesn't entirely eclipse a good heart and healthy psychology which has been with him for life.  Aside from producing and music, standup is his best expertise and you won't find a better first standup album to study and learn from than Chunks by J. Elvis Weinstein on 800 Lb Gorilla Records and Amazon.

Monday

Rob Delaney: Survivor. Town crier. Disability-knowing empath. Child creator. Platonic example. Bon vivant. Bandage.

Title:   

Rob Delaney: Mother. Wife. Sister. Human. Warrior. Falcon. Yardstick. Turban. Cabbage.

Who's it for?: Comedy fans who appreciate @robdelaney, fans of Catastrophe on TV
Who made it?: Rob Delaney
Where is it?: https://www.amazon.com/gp/product/081299308X/ref=x_gr_w_glide_bb?ie=UTF8&tag=x_gr_w_glide_bb-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=081299308X&SubscriptionId=1MGPYB6YW3HWK55XCGG2
Length: 208 pages

I've been following Rob Delaney on Twitter since maybe 2010 and I saw some of the tweets in this book when they dropped or got retweeted, so there's a great "I was THERE, man!" feeling and also some great motivation to write my own book and find a way to fit some of my own tweets in. They are the best microblog time capsules that show how the author thinks and reacts to subjects both topical and timeless.  For reference, these tweets were written during the Obama presidency.

Mr. Delaney's book is so much more than just these intercalary tweet sections between the topical parts, however.  There are twenty great comedic essays about his childhood, travels, recovery from addiction, and transformation into a loving and responsible father who still loves to write jokes.  Despite a near self-destruction, he retains an epic jois de vivre to be envied by people who would have an easier time stopping themselves from bungee jumping off a bridge. 

Though surviving wild oat sowing is not sufficient proof to try any of these stunts at home, Mr. Delaney has been living a vivid life and responsibly explains what was at stake and could have gone worse in the adventures without consequences, and he is bluntly honest about the ones that hurt the most.  He's very lucky to be alive and we as an audience are lucky to get a percentage of his experiences in the reading  to shake ourselves out of mundane existential ennui and depression.

He also spent some time in France studying art and French and theater.  Though some of these stories read like fraternity pranks, Mr. Delaney is sharply intelligent and an emotive illustrator of moments both ephemeral and life-changing.  I think to appreciate his comedy you have to detach yourself from a need to apply the same social rules to everyone.  Also it helps to know that comedians have a tone of voice they use to look at negative subjects at a safer distance than the one in which they have experiences. The tone one uses to tell a joke is not the one used to apologize to parents and teachers or address cops at traffic stops. We have free speech just so we can indulge in theatrical interpretation of important matters and keep our self-worth separate from the theatrics enough to control our own emotions and make the outcomes better for those listening to us.

My favorite part of this book is Mr. Delaney's  literary voice which is similar to his Twitter feed in its  brazen balance between bluntness, devil-may-care optimism, and mock outrage and condemnation toward violations of his actually quite sound ethics system.  In my own comedy writing I sometimes get bogged down in the emotional weight of the subject I want to cover and am so overwhelmed and verklempt I have trouble getting back to the light riffing attitude that comedy needs in order to connect with an audience.  Or I imagine I'm going to be attacked by socially defined people for being too careless with the feelings of sensitive people who aren't even being targeted by the jokes (why do they lurk my head without showing themselves? nobody ever @s me on Twitter to say I'm an insensitive monster but I still have a brutal inner critic that never seems to manifest).  

Mr. Delaney's book probably shouldn't be my writing warmup, but if I'm trapped under a heavy mood or sensing a condemning socially defined lady ghost trying to control me with her pre-emptive psychological constructs, just a few minutes of Rob Delaney: Mother. Wife. Sister. Human. Warrior. Falcon. Yardstick. Turban. Cabbage. will leave said ghost gobsmacked and incapable of torturing me any further, since this kind of malevolent spirit is generally too afraid to learn life-saving information about STDs and fecal incontinence and rehab.  It's really the loss of that ghost and her sycophants that they aren't able to use comedy to make these subjects approachable enough to take action on when life happens. Anyway, I feel indebited to Rob Delaney, his book, and also his fun television show Catastrophe for giving me a mix of fun and hard experiences to envision and be prepared for if I ever find myself in closer proximity to them in my life or with friends.


This book is staying on my Kindle for as long as Kindle exists and if that's not my whole life I might buy it again. 

Sunday

The Phoenix Project (2015)
Who's it for?: Fans of psychological science fiction drama
Who made it?: Ironwood Gang
Where is it?: Amazon
Length: 1hr 32 min

Conceptually, The Phoenix Project is a great statement about the balance between science and humanism.  The questions of "Can we reanimate a body?" and "Should we?" are separated here by iterations that increase the hope and excitement about this goal and then leave them pondering ethics in medical science.

Trigger warning: This film contains depictions of self harm in depression.  It doesn't have grindhouse levels of gore, but a few moments are potentially emotionally triggering if you or a loved one live with depression.


The acting performances are effectively competent in the team of out-of-a-garage scientists.  Corey Rieger plays project leader Perry Frank as a mercurial classic horror film control freak genius, and Orson Ossman adds some lighter emotional moments that offer a break from suspense, invite viewers to root for the Phoenix Project Team, and inspire empathy when machines or humans break.  Andrew Simpson as Devin Fisher conveys that this project is bigger than him and his personal stake is important to a degree that threatens his mental health.  David Pesta as Ampersand Garner did not leave much of an impression, but emoting less makes him rather more convincing as a scientist and gives him a Harold Ramis-like quality. His puzzle solving of a puzzle with all white pieces seems symbolic of the difficulty of ordering and manipulating the pieces involved in scientific research.

The one negative factor is the slow pacing with many similar shots of the guys archiving their project notes.  My attention span for the research documentary style of storytelling lasted for approximately 45 minutes, or up through the team's excitement at their first successful test.  As conflict increases between the team my attention wandered as Carter wandered from the team.  Devin's part of the story was important and I did follow those beats with my emotional engagement onward to the conclusion.  I think I was least interested in the argument between Perry and Ampersand around one hour to 1:07:00:00 in, which should have been fairly exciting but had some slow silent scenes with music around it that dragged it down somewhat to emphasize the stress under which the guys placed themselves.

Still, this film is effective in stitching together easily accessible locations into one setting while psychologically taking us out of the setting to ponder the greater implications of the team's research.  I never totally lost track of what was going on and the ending left me emotionally moved and continuing to yearn for there to be more human compassion in the sciences. 

I look forward to seeing more films from Ironwood Gang!

Saturday

If At Birth You Don't Succeed (don't give up on leaving your parents' house and making a living)

If At Birth You Don't Succeed Who's it for?: Bitter disabled people who need to laugh more, ableists who didn't know they were being ableist
Who made it?: Zach Anner
Where is it?: your local library, hopefully, or http://ifatbirthyoudontsucceed.com/ and Amazon:
Length: 352 pages

Zach Anner is one of the most prominent disabled celebrities who is changing the public image of what being disabled is like.  His autobiography If At Birth You Don’t Succeed jumps around in the first thirty years of his life to present the most interesting moments in the optimistic tone of his comedy. Having had his own TV show on OWN and a few hit web series, Mr. Anner has always connected warmly to everyone he meets while acknowledging his disability but never in a way that garners pity or sadness.  He’s happy and having fun, and why shouldn’t everyone else have fun with him?  Cerebral palsy and a wandering eye may be the first thing some people notice about him, but there are so many more interesting facts to know. This book shares the best public success, then the worst gastrointestinal challenge while in pursuit of that public success, then all the times he found a challenge but just kept rolling along anyway.  The very first thing everyone should know about Zach is that he finds something to be happy about no matter what circumstances he finds himself in, and he can take jokes as well as he makes them.

Zach has made his life’s work about traveling and recording his experiences as a disabled traveler.  Reading his book, it seems like it never occurred to him there was any reason not to travel or that his disability should ever keep him at home.  From an early childhood story of running away from home with intent to meet his celebrity crush Cindy Crawford to his Riding Shotgun webisode about exploring tree villages in Canada, once Zach sets his mind to a travel destination he always finds a way to have a decent adventure.  His brother or friends help him along the way to leave his chair and climb up to the tree village even after a larger public bridge forbids him to cross it.  In another story he road trips to NASA to pilot the Mars rover training simulation.

As a female reader, I did find some of the early chapters tried my patience with Zach’s attitude toward pursuing romance.  His sense of humor with regard to dating comes on very strong, appearance focused, and a bit objectifying to portray girls as potential lays.  (This is true for most of his dating stories though not for his appraisal of the female chef who was the other person in the final round of the OWN network reality show competition.) But he also comes across as sincere and a gentleman who actually does value the feelings of any lady he spends time with.  Once he meets his wife Gillian Grassie, a harpist and singer-songwriter  whose music is beautiful and also worth checking out on YouTube, they travel together for a bit before getting married.  Accessibility barriers don’t stop Zach from attending Gillian’s concert in Germany or visiting her family home, and then she visits Zach in California and they go to Disneyland.    


In the end, I left this book with a feeling that no excuse is good enough for not pursuing your dreams on some level, yet you also have to forgive yourself for imperfections and just roll with whatever punches life throws at you. 

Friday

Spontaneanation is an Impulsive Gift of Aural All Sorts

Spontaneanation!
Who's it for?: Fans of Intellectual Comedy, Those who like celebrity interviews
Who made it?: Paul F. Tompkins, Eban Schletter, many guests and friends and guest friends
Where is it?: http://www.earwolf.com/show/spontaneanation-with-paul-f-tompkins/ and the iTunes store, and https://soundcloud.com/spontaneanation on Soundcloud!
Length: About an hour per episode give or take 15 minutes.  Divided into a half hour interview and half hour of somewhat scripted, somewhat improvised comedy.

Like St. Paul in the Bible, the scales have fallen from my eyes once my ears heard the good news that is Spontaneanation! 

Spontaneanation is like a streamlined version of the much loved Pod F. Tompkast with an improvisation focus. It i€™s now just one interview and one improv-enhanced fictional comedy play without continuity from week to week so we the fans benefit by hearing it more often in smaller doses that might even add up to more monthly content in production math that seems WITCHCRAFT.  This muggle mind balks at figuring it out. 

I particularly loved the La Mariposa story in the dumpster behind Dennys in the first episode with Busy Phillips. The Justin Kirk episode with the performing arts high school sketch was another high point that should knowingly nudge the sides of anyone who has community theater connections.  Then there was an insightful interview with songwriter Aimee Mann which I identified with since I too want people to like me and get worried-sad about that not happening universally.   And there are so many more fun interviews with people such as Tompkast frequenter Jen Kirkman and comedic expert John Hodgman.  

Aside from hearing fun people, it's the great contrasts in subject matter between artistic beauty and fears of lowly mundane existence and grime that keep me coming back. Just make me laugh, I say! And Spontaneation does!

https://soundcloud.com/spontaneanation

Wednesday

Consignment from Manic Baby Studio

Title :  Consignment

Who's it for?:
 Fans of David Lynch or Alfred Hitchcock who don't have a lot of time or money and are a bit brokenhearted, possibly for the recently dumped
Who made it?: Manic Baby Studio -- Justin Hannah and Abbra Smallwood
Where is it?: Distributed through Indieflix!
Length: 19 min


As brief and transient as life is, the pursuit of love can sometimes become a maddening descent into selfish coveting. Desperate singles are sometimes tempted by the fear of loneliness into venomously competitive feelings of possession of significant others. Is there anything more horrific and endangering than selecting a person as a goal to end such soul-consuming longing? Such longing can only distract an individual from developing a self-assured identity while searching for meaning in life, and any victory hinges upon the appraising judgment of the prized other.

This sort of poisonous temptation and damaging self-delusion is veiled by a romantic noir in the independent short film Consignment, directed by Justin Hannah and produced with him by Abbra Smallwood as Manic Baby Studio. A 1950s period noir with surreal undertones and a cerebral style of storytelling, the film tells the story of a young woman desperate to restore an important romantic relationship she lost via the aid of a mysterious box from a consignment shop. However, the box may not be the ideal answer; it even may corrupt those who possess it. Not every detail of the story is spelled out, and it rewards repeat viewings and careful attention to its scenic design.

My full review of Consignment is available on Rogue Cinema: http://www.roguecinema.com/consignment-2013-by-teresa-d-lee.html


Tuesday

Short Story Review: Jar of Mist by Jeffrey Thomas

Title Who's it for?: Who made it?: Where is it?: Length:

What is it?:  a short story featured on Lovecraftzine 
Title / Author: "Jar of Mist" by Jeffrey Thomas
Length:  About 23 pages of 13pt font but it felt like half that when I read it in an afternoon.  You can too!
Where is it?:  [Lovecraft ezine]
Who's it for:  Fans of Lovecraftian fiction, fans of fantasy horror who love the theme of madness, anyone interested in the upcoming Lovecraftian web series Whispers From the Shadows, sponsored by Lovecraft ezine.


Lovecraftian fiction has long intrigued me though I never knew quite where to start.  The cerebral glimpses of battles with madness and hypnotic siren call of cult worship are intriguing, but many of the stories in the Lovecraftian universe end in despair and doom.  The difference with Jeffrey Thomas's story is that it starts with the despair and doom and finds a silver lining, albeit a macabre one.

It begins with rather than ends in death.  A father is investigating the death of his daughter and unraveling the life she had built for herself towards the end with macabre influences on her actions.  There are a few characters but most of the story's conflict is internal, with one man fighting his own mind to cope with the death of a loved one.  The atmosphere in the story is thick with despair but also curiosity and exploration.

This story is one of three short stories from Lovecraft ezine that are being adapted into short films by Alien Jungle Bug, and "Jar of Mist" is a particularly good one because it is so very visual with assorted cult fetish and art props and a hallucinogenic trance sequence that I'm looking forward to seeing them execute for the internet screen.  I've seen their previous film "Silence of the Bell" and think its dream logic prepared them perfectly for adapting these nightmarish stories into the Whispers From the Shadows series this year.

Anyway, this story drew me in and made me feel its morbid fascination with death and other planes of existence.  I recommend it to fans of Lovecraftian fiction who have the emotional reserves to step into this violent, maddening world.

More info on Jeffrey Thomas's science fiction and horror fantasy fiction is available at http://punktalk.punktowner.com/

Monday

Robert Hack's doing art for a scarier Sabrina


I am so happy for my Cinematic Titanic fan forum friend Robert Hack, who has worked on IDW's Doctor Who comics and the zombie Archie series, and he is now going to be the artist on Archie comics' new Sabrina series, which is taking one of my favorite characters in a fun and gothic new direction:


More Information on USA Today


I love that this article says someone will find out Sabrina's secret in the first issue, and that there will be grim consequences.  But I'm even more excited about Hack's moody art style balancing out the once too-sweet Archie universe with dark, heavy inking.  He likes drawing mobsters and Lovecraftian monsters too, so I am laughing so hard with gleeful anticipation about his brand of evil happening to insipid Archie characters.


The series starts this October, so now I gotta figure out whether a comic subscription fits into my annual budget and find a way to subscribe.  But I also want to subscribe to Teenage Mutant Ninja Turtles :(  I am possibly doing comics fandom wrong.  I want to subscribe but haven't since we subscribed to Sovereign Seven back in the late 90s.  I typically just go to a store once a year or so, set a limit that I'm willing to spend and estimate when I've reached that limit on picking up single issues.  I also limit myself to either old bagged comics or the new wall, not both.  And I have no idea about price checking etiquette.  It always feels like I am guessing and am really good at guessing what is quality writing at this point but also at finding what will cost me an arm and leg at the register.