Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Saturday

The Spy Next Door (2010)

Title  The Spy Next Door (2010)

Who's it for?: Kids who grew up with Operation Condor and First Strike and wish Jackie Chan was their dad.  The female fans who grew up with Jackie Chan's martial arts films and would like to see him be a parent. Maybe fans of True Lies and Kindergarten Cop who thought why not see an Asian person also do Arnold Schwartzeneggar's turn from action to family stories?

Who made it?:  Director Brian Levant, writers Jonathan Bernstein, James Greer and Gregory Poirier

Where is it?: Amazon

Length: 1:33:42  Like an hour and a half

I grew up watching Jackie Chan in movies, and it was always with extreme guilt that I rooted for his English speaking capability to grow. It's really my responsibility to learn some Chinese so I can better appreciate his earlier films like Sammo Hung's Wheels on Meals with the steering wheel prop used in a fight that led to a similar sequence in Rush Hour later.

The Spy Next Door delivered some classic acrobatic stunts that we've seen before but recontextualized the action within Bob Ho's mission to quit being an international spy and just get married and live a happy life in America.  The film gently delivers a blunt message that Chinese or Hong Kong to American people are not the Chinese government and do want the same things in life that we all want.  Outside of protecting company secrets or government or military strategies, 

For those of us who wanted more lines for Jackie Chan in Kung Fu Panda and more character beats in general for him in his movies, The Spy Next Door completely delivered that sweet fan service. There is a date scene where he as Bob woos a gallery artist who is already a mother of children.  He then attempts to win the love and respect of her children who then treat the relationship oddly like a competition.  I sort of forgive the lazy writing since it's an action movie but there are more character scenes than usual.

Ultimately I think it's the Rush Hour action to keep the kids safe that wins them over more than the parenting lectures in the style of Kindergarten Cop, but Bob Ho is very verbal and likable throughout the character scenes.  Chan has another "I hate English" blooper during the credits, but he succeeded at several wordy monologues in his second language.  How many of us can do that?  I'm still saving up for some Pimsleurs Mandarin CDs.

Bob Ho as a parental figure is a charismatic narcissist trying to verbally teach discipline while speeding through the organizational and transportation related chores of the day.  I feel kind of guilty admitting how enjoyable it is to hear him sing a lullabye to the youngest child in Chinese, and the movie team knows I secretly wanted a moment like this from Jackie Chan so there's more than one lullabye scene.  He acknowledges the emotional needs of the family somewhat while attempting to hide his spy job from them. The restaurant scene is fairly good too if full of written cliches.  The teacher conference is where my suspension of disbelief snaps-- I think the kids' mom should have gone instead and the scene should have failed the Bechdel test to deliver a report card conversation about how the family feels about Bob's contributions to their daily life.  Or have information he learned about them revealed to their principal who is so well played by Esodie Geiger that I wish they had swapped casting so Billy Ray Cyrus could be the principal and Esodie Geiger could be life saving law enforcement backup in the climactic fight.

The Russian spies in this film are almost too scary for a family film with their believable fight choreography and prop use albeit with somewhat cartoony dialects. Talking sounded cheesy but the meaning of their plans was an effective hyperbole about oil spill cleanup.  Chemicals used are not really this bad when they destroy shoes over time, but sped up for the weapon demonstration they made me want to look up the environment effects of oil spills and cleanup procedures. 

I should probably talk about Billy Ray Cyrus and George Lopez appearing in the crime plot as spy ally and traitor respectively, but I really don't want to.  There's maybe one good turncoat moment from Lopez.  Cyrus lacked character and sense of purpose, just there because there's a point in cop stories when you have to call for backup, and this time he's the guy.  Let's talk about the pet turtle instead.

I can't remember when a turtle appeared in previous Jackie Chan films, but Chan completely perfected his turtle gag for this film. It's a longer battle of holding the turtle, moments when it reaches out with it's neck and gets bite-happy.  I like the actual animal enough to forgive the pent up men in this world who are too obsessed with them. 

The film's one weak point is the kid characters, both due to shallow writing and maybe directing choices leading to weak performances.  I laughed the hardest at an entitled, "I'm going to make those kids like me."  Bob Ho reminded me of Arnold Schwartzeneggar in Kindergarten Cop and also in True Lies at the same time. The adversarial nature of the children shows weak writing and weaker directing, but they do have an arc where the oldest daughter as leader changes her mind and respects Bob, the middle child finds ways to be strong and take care of himself, and even the youngest child has a moment of success in defending the house from intruders.

The weight of the kid plot in the script goes to Madeleine Carroll as teen daughter Farren.  She's most convincing in the restaurant scene [change focus from Bob checks if she is being asked out to what Farren accomplished in the scene.]  It's more irritating when she both starts the arc of the kids not accepting Bob and at the emotional climax when she begs her mother to not reject him.  I'm not sure whether it's more the script or her emotional communication.  It's definitely the script's fault that all the goals she is involved in are about dating [check one and Bob has to win her over to marry her mother, resulting in the trope of a wannabe parent quasi-dating his intended child.  It feels unhealthy and why can't she have meaningful goals he encourages her to take further on her own without a boyfriend, or show her already dating a chosen partner, or test whether Bob is OK with supporting her choosing a girlfriend or something?

It doesn't have to be a critically acclaimed movie to be super fun.  Despite its flaws, The Spy Next Door has a fun stage persona from Jackie Chan and repeats of his best moments with more meaning and charaacter story behind them.  I am sorry this film may have gotten a poor release during Covid, and I don't regret purchasing it to laugh, yell at the TV, and remain in awe of the action.  He's still got great talent as an acrobat, martial artist, and actor, and he's still fun to watch.

Sunday

The Phoenix Project (2015)
Who's it for?: Fans of psychological science fiction drama
Who made it?: Ironwood Gang
Where is it?: Amazon
Length: 1hr 32 min

Conceptually, The Phoenix Project is a great statement about the balance between science and humanism.  The questions of "Can we reanimate a body?" and "Should we?" are separated here by iterations that increase the hope and excitement about this goal and then leave them pondering ethics in medical science.

Trigger warning: This film contains depictions of self harm in depression.  It doesn't have grindhouse levels of gore, but a few moments are potentially emotionally triggering if you or a loved one live with depression.


The acting performances are effectively competent in the team of out-of-a-garage scientists.  Corey Rieger plays project leader Perry Frank as a mercurial classic horror film control freak genius, and Orson Ossman adds some lighter emotional moments that offer a break from suspense, invite viewers to root for the Phoenix Project Team, and inspire empathy when machines or humans break.  Andrew Simpson as Devin Fisher conveys that this project is bigger than him and his personal stake is important to a degree that threatens his mental health.  David Pesta as Ampersand Garner did not leave much of an impression, but emoting less makes him rather more convincing as a scientist and gives him a Harold Ramis-like quality. His puzzle solving of a puzzle with all white pieces seems symbolic of the difficulty of ordering and manipulating the pieces involved in scientific research.

The one negative factor is the slow pacing with many similar shots of the guys archiving their project notes.  My attention span for the research documentary style of storytelling lasted for approximately 45 minutes, or up through the team's excitement at their first successful test.  As conflict increases between the team my attention wandered as Carter wandered from the team.  Devin's part of the story was important and I did follow those beats with my emotional engagement onward to the conclusion.  I think I was least interested in the argument between Perry and Ampersand around one hour to 1:07:00:00 in, which should have been fairly exciting but had some slow silent scenes with music around it that dragged it down somewhat to emphasize the stress under which the guys placed themselves.

Still, this film is effective in stitching together easily accessible locations into one setting while psychologically taking us out of the setting to ponder the greater implications of the team's research.  I never totally lost track of what was going on and the ending left me emotionally moved and continuing to yearn for there to be more human compassion in the sciences. 

I look forward to seeing more films from Ironwood Gang!

Wednesday

Consignment from Manic Baby Studio

Title :  Consignment

Who's it for?:
 Fans of David Lynch or Alfred Hitchcock who don't have a lot of time or money and are a bit brokenhearted, possibly for the recently dumped
Who made it?: Manic Baby Studio -- Justin Hannah and Abbra Smallwood
Where is it?: Distributed through Indieflix!
Length: 19 min


As brief and transient as life is, the pursuit of love can sometimes become a maddening descent into selfish coveting. Desperate singles are sometimes tempted by the fear of loneliness into venomously competitive feelings of possession of significant others. Is there anything more horrific and endangering than selecting a person as a goal to end such soul-consuming longing? Such longing can only distract an individual from developing a self-assured identity while searching for meaning in life, and any victory hinges upon the appraising judgment of the prized other.

This sort of poisonous temptation and damaging self-delusion is veiled by a romantic noir in the independent short film Consignment, directed by Justin Hannah and produced with him by Abbra Smallwood as Manic Baby Studio. A 1950s period noir with surreal undertones and a cerebral style of storytelling, the film tells the story of a young woman desperate to restore an important romantic relationship she lost via the aid of a mysterious box from a consignment shop. However, the box may not be the ideal answer; it even may corrupt those who possess it. Not every detail of the story is spelled out, and it rewards repeat viewings and careful attention to its scenic design.

My full review of Consignment is available on Rogue Cinema: http://www.roguecinema.com/consignment-2013-by-teresa-d-lee.html


Tuesday

Short Story Review: Jar of Mist by Jeffrey Thomas

Title Who's it for?: Who made it?: Where is it?: Length:

What is it?:  a short story featured on Lovecraftzine 
Title / Author: "Jar of Mist" by Jeffrey Thomas
Length:  About 23 pages of 13pt font but it felt like half that when I read it in an afternoon.  You can too!
Where is it?:  [Lovecraft ezine]
Who's it for:  Fans of Lovecraftian fiction, fans of fantasy horror who love the theme of madness, anyone interested in the upcoming Lovecraftian web series Whispers From the Shadows, sponsored by Lovecraft ezine.


Lovecraftian fiction has long intrigued me though I never knew quite where to start.  The cerebral glimpses of battles with madness and hypnotic siren call of cult worship are intriguing, but many of the stories in the Lovecraftian universe end in despair and doom.  The difference with Jeffrey Thomas's story is that it starts with the despair and doom and finds a silver lining, albeit a macabre one.

It begins with rather than ends in death.  A father is investigating the death of his daughter and unraveling the life she had built for herself towards the end with macabre influences on her actions.  There are a few characters but most of the story's conflict is internal, with one man fighting his own mind to cope with the death of a loved one.  The atmosphere in the story is thick with despair but also curiosity and exploration.

This story is one of three short stories from Lovecraft ezine that are being adapted into short films by Alien Jungle Bug, and "Jar of Mist" is a particularly good one because it is so very visual with assorted cult fetish and art props and a hallucinogenic trance sequence that I'm looking forward to seeing them execute for the internet screen.  I've seen their previous film "Silence of the Bell" and think its dream logic prepared them perfectly for adapting these nightmarish stories into the Whispers From the Shadows series this year.

Anyway, this story drew me in and made me feel its morbid fascination with death and other planes of existence.  I recommend it to fans of Lovecraftian fiction who have the emotional reserves to step into this violent, maddening world.

More info on Jeffrey Thomas's science fiction and horror fantasy fiction is available at http://punktalk.punktowner.com/